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EFECTOS

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JACKSON AUDIO THE PRISM BLUE

JACKSON AUDIO THE PRISM BLUE

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €
JACKSON AUDIO THE PRISM PURPLE

JACKSON AUDIO THE PRISM PURPLE

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €
JACKSON AUDIO THE PRISM BLK

JACKSON AUDIO THE PRISM BLK

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €
JACKSON AUDIO THE PRISM

JACKSON AUDIO THE PRISM

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €
DECIBELICS GOLDEN HORSE

DECIBELICS GOLDEN HORSE

Decibelics Golden Horse Decibelics Golden Horse Professional Overdrive es el resultado de toda mi experiencia estudiando y construyendo Klon Centaur compactada en un formato mini, hecho totalmente a mano con componentes N.O.S. y respetando los valores del original. Nada de modernos componentes SMD ni valores aproximados, se trataba de meter Tono y Mojo en una caja mini. No estás ante un pedal producido en masa y sin vida propia. El Decibelics Golden Horse es el único pedal en el mercado, que es probado en un test A/B contra un Klon Centaur dorado real antes de ser enviado. Specs: + Reproducción exacta de mi Klon Centaur dorado original, horsie close-tail, serial número 2505 de 2001. De todos mis Silver y Gold originales, esta unidad es sin duda la que ofrece mejor tono. + Formato mini de lujo, componentes vintage y thru-hole, totalmente construido a mano uno a uno, con extrema dedicación. Fruto de años de experiencia estudiando el circuito y construyendo Klones para guitarristas profesionales. + Mismos condensadores Panasonic ECQ-Series N.O.S. que el original + Mismos diodos de Germanio N.O.S. 1N34A (Cristal clear y banda negra como el original, made in USA) – Los comunmente conocidos como Magic Diodes (No diodos rusos con banda azul y roja como en otros klones– los mismos que el original!) + Misma combinación de resistencias de metal y de carbón + Mismo condensador Tantalum en la posición C16 + Mismo formato de condensadores en valores superiores a 1uf, electrolíticos, adaptados al tamaño del pedal + Misma Charge Pump que eleva el voltaje interno de 9V a 18V para mayor headroom. + Mismos valores en los restantes componentes y en alta calidad: Opamps TL072 de Texas Instruments, Charge Pump de calidad superior sin ruidos, potenciómetros Bourns Pro Audio, Footswitch Alpha DPDT, jacks Lumberg Japan, caja Hammond pintada y serigrafiada a mano… + Buffered como el original, con los valores correctos + Placa PCB de diseño propio, con optimización del nivel de ruido parasitario Accessorios incluidos: Caja Blanca de Envío Deluxe con Espuma, Adaptador Externo para Pila 9V, 4 Soportes de Goma, Marcadores de Perillas, Manual (Inglés), Certificado de Autenticidad.

CORNESTONE ROYAL ANTIQUE

CORNESTONE ROYAL ANTIQUE

Cornestone Royal Antique The Royal Antique has been designed together with Osvaldo di Dio, to take the standard Antique classic drive to a new level, adding some special features in order to let it be the all-in-one solution for the overdrive needs. Let's have a closer look at the controls and operation modes: BYPASS MODE: The Royal Antique is a true bypass pedal, so in bypass mode, there's no signal loss nor any buffer applied. STANDARD MODE: When the "Bypass" footswitch is pressed, the signal enters the main circuit of the Royal Antique which is the same as the Antique and controlled by its standard controls Gain, Tone, Presence, Volume, Mids. BOOST MODE: Here comes the interesting part. The main question when dealing with an overdrive with boost is: where is the boost located, before or after the overdrive? Some pedals have a switch which lets you choose this location to have a "pre-boost" or a "post-boost". In the Royal Antique, we choose to have both. So when you hit the boost footswitch, two different boosts come in at the same time, one before and one after the overdrive circuit, having each one its own independent gain control. In particular: - The BOLD knob is the gain of the boost "before". Unity volume condition is when bold is at 0. - The GAS knob is the gain of the boost "after". Unity volume condition is when the GAS is at noon. The GAS knob is also wired so that it acts as a master output volume of the boosted channel. With these special boost controls, the Royal Antique could be thought as a "2 channel Antique", with independent gain and volume controls. FLAME MODE: In case another boost is needed, there's the "Flame channel", which is exactly a Flame booster already embodied on the Royal Antique circuitry, and can be enabled by means of an external momentary footswitch, to instantly give up to 20dB. The Royal Antique requires a standard 9V DC Negative power supply only.

265  artículos disponibles
Ver  12  24  48  Ver todos 

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