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ALS Music Factory

Tienda de guitarras, bajos, teclados y accesorios

Productos Destacados

CHASE BLISS AUDIO THE FAVES

CHASE BLISS AUDIO THE FAVES

Ref: 3090

Faves™ is a dead simple MIDI controller that allows the user to access six presets as well as “live” mode on-the-fly for any of the Chase Bliss pedals

77,00 €

Producto REBAJADO
CHASE BLISS AUDIO TONE RECALL DELAY

CHASE BLISS AUDIO TONAL RECALL DELAY

Ref: 2749

Construido alrededor de un par de versiones reeditadas de las legendarias MN3005 bucket-brigade delay , el inconfundible carácter analógico de este delay es frontal y central. Tonal Recall es concebido sobre los clásicos sonidos vintage asociados a los delay analógicos de antaño. No renuncia tampoco a las comodidades modernas como tap tempo, bypass opcional con trails, control de expresión sobre cualquier parámetro y la posibilidad de guardar ajustes preestablecidos. Cada botón y el interruptor está conectado a un pequeño cerebro digital mientras que la señal de la guitarra se mantiene en 100% analógico siempre, no se procesa digitalmente. Dado que el control del efecto es digital, se abren efectos y características sin precedentes que nunca se han escuchado o sólo se ofrecen en stompboxes analógicos. Forget everything you know about analog delay, this one’s different. Built around a pair of re-issued versions of the legendary MN3005 bucket-brigade delay chips, the unmistakable analog character of this delay is front and center along with its velvety tape-like modulation. Tonal Recall expands upon the classic vintage sounds associated with analog delays of yesteryear while bringing modern amenities such as tap tempo, optional bypass with trails, expression control over any parameter, and the ability to save presets. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

430,00 €

Producto REBAJADO
CHASE BLISS AUDIO GRAVITAS ANALOG TREMOLO

CHASE BLISS AUDIO GRAVITAS ANALOG TREMOLO

Ref: 2521

This tremolo pedal features an all-analog signal path that can do any variety or shape of standard volume modulation, harmonic tremolo (inspired by vintage Brownface) or both simultaneously for a truly unique and beautiful tremolo sound that sits just perfectly in a mix. The first thing your guitar hits in the signal path is a gorgeous, transparent, discrete class A clean boost circuit, and is followed by buffering and tone shaping with famed Analog Devices AD823 opamps for perfect tonal clarity, and analog warmth. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

325,00 €

Producto REBAJADO
CHASE BLISS AUDIO WOMBTONE MKI PHASER

CHASE BLISS AUDIO WOMBTONE MKI PHASER

Ref: 2057

CHASE BLISS AUDIO WOMBTONE Analog Phase

325,00 €

Producto REBAJADO

Productos Nuevos

JACKSON AUDIO THE PRISM BLUE

JACKSON AUDIO THE PRISM BLUE

Ref: 3360

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €

JACKSON AUDIO THE PRISM PURPLE

JACKSON AUDIO THE PRISM PURPLE

Ref: 3359

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €

JACKSON AUDIO THE PRISM BLK

JACKSON AUDIO THE PRISM BLK

Ref: 3358

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €

JACKSON AUDIO THE PRISM

JACKSON AUDIO THE PRISM

Ref: 3357

Jackson Audio The Prism PRISM OVERVIEW The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique! EQ/TONE SCULPTING The PRISM was conceived between Brad and Nigel as a tool that players could use to unify their rigs regardless of the guitar being used. Since many guitarists will swap guitars but keep the same pedalboard and amp, we wanted to create a tool that would allow the players to re-voice their rigs for the guitar chosen and the +/-15dB active EQ in the PRISM accomplishes this with ease. This active EQ gives an incredible amount of tonal control and range and has ZERO interaction between the BODY and TONE controls. Having ZERO interaction means as the player adjusts the TONE it will only adjust the high frequency response and not cause the low frequencies to shift and the same is true for the BODY control. Perhaps the most useful feature of the active EQ in the PRISM is that when placed at the front of the players rig and used as a master EQ, the PRISM will allow the player to dial in their tone using ONE pedal and will prevent them from having to adjust the EQ of every pedal in their rig when changing guitars, amps or venues. BOOST/PREAMP As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits. Each boost/preamp circuit in the PRISM is totally discrete and shares ZERO circuitry with the other boost circuits. We did this so that each circuit would be completely true to its own voice and not have to compromise its sound for the sake of cost cutting or space economy. In fact every circuit is contained in its own true bypass loop so there is never any additional circuitry in the signal path. Traditionally most players will use a boost/preamp pedal to drive the front end of a tube amp into overdrive and the PRISM does this very well given its huge amount of output however we encourage players to experiment by placing the PRISM at the front of their pedalboards and enjoy the host of new tones available as the PRISM boosts their existing pedals! Note: To take full advantage of the PRISM we recommend placing it first in the signal chain as its active EQ will be most effective in that position and the treble booster circuit (COLOR) works best when connected directly to the guitars output. Treble booster circuits in general are known for cleaning up very dramatically when rolling back the volume control on the guitar and the PRISM is no different. For these reasons we recommend that the PRISM be placed first in the signal chain. BUFFER The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles! At the very end of the PRISM we included a high current buffer that is used to strengthen your signal and preserve your tone regardless of how complex your pedalboard is or how long the cable run is back to your amp. TONE CONTROL An extremely powerful active EQ, the TONE control adjusts the high frequencies by giving a +/-15dB boost/cut to those frequencies. PRE GAIN SWITCH Selects between 3 varying levels of gain for each boost circuit. HIGH – Voiced for heavy breakup/lead tones. MED – Voiced for mild breakup/rhythm tones. LOW – Voiced for maximum clean headroom. BYPASS SWITCH The BYPASS SWITCH is used to turn the PRISM ON/OFF and is also used to enter programming mode. To enter programming mode, press and hold the BYPASS SWITCH for five seconds. While in programming mode, rotate the BOOST control to set INDICATOR LIGHT brightness. Press the BYPASS SWITCH three times to toggle the active state of the pedal between boot up ON (green) and boot up OFF (yellow). Press and hold the BYPASS SWITCH for five seconds to save settings. BODY CONTROL An extremely powerful active EQ, the BODY control adjusts the low frequencies by giving a +/-15dB boost/cut to those frequencies. BOOST CONTROL The BOOST control sets the overall level of boost available from the PRISM. Think of the BOOST control as a master volume that works in tandem with the PRE GAIN switch to dial in the ratio of gain to boost level. CIRCUIT SELECT Selects between the 3 boosts circuits available in the PRISM. COLOR – Vintage Silicon Treble Booster Style boost. Perfect for Brian May (Queen) style rhythm and lead tones! AMP – A very musical sounding MOSFET boost that emulates the tonal response of an overdriven vacuum tube amp! TRANS – An ultra transparent 18V powered JFET boost circuit. Sounds like you only LOUDER! INDICATOR LIGHT The INDICATOR LIGHT indicates the ON/OFF status of the PRISM and changes colors to give a visual indication of the level of boost selected.

299,00 €

MUSIC MAN JAMES VALENTINE

MUSIC MAN JAMES VALENTINE

Ref: 3356

Music Man James Valentine Trans Buttermilk Color: Trans Buttermilk Construcción: Cuerpo sólido Construcción mástil: Atornillado Número de trastes: 22 Longitud escala: 25,5" (64,77 cm) Cuerpo: Fresno Mástil: Roasted Maple Diapasón: Roasted Maple Radio diapasón: 10" Inlays en el diapasón: Black Dots Configuración de pastillas: S-H, 1x Singlecoil + 1x Humbucker Pastilla posición mástil: Music Man Custom Wound Humbucker Pastilla posición puente: Music Man Custom Wound Staggered Single Coil Seleccionador de pastillas: Seleccionador de 3 vías Reguladores: 1x volumen, 1 x tono Puente/Trémolo: Music Man Modern Hardtail con silletas de acero curvas Herrajes: Cromado Grosor de cuerda de fábrica: .010 - .046 Volumen de entrega: Estuche Extras: Booster activo interno mediante push / pull conmutable, p

2.295,00 €

GENERAL ANALOG KLON CENTAUR MUCHO MACHO GOLD

GENERAL ANALOG KLON CENTAUR MUCHO MACHO GOLD

Ref: 3355

General Analog Klon Centaur Mucho Macho Gold General Klon type Siberia. The best repro Klon Siberia by General Instruments , Analog audio Research . Retro Klon is early High end overdrive hand build for Oscar García in Costa Daurada. High quality electronics , and New old stock Tunsgram Diodes 1n34a with correct VF operation. Originals Operational Amplifiers and correct charged up section , high Tone range and dynamics. All parts is the best quality jacks, switch etc.... Original molded by Daka ware Chicago Knobs

335,00 €

ORIGIN EFFECTS REVIVAL DRIVE CUSTOM

ORIGIN EFFECTS REVIVAL DRIVE CUSTOM

Ref: 3354

ORIGIN EFFECTS REVIVAL DRIVE CUSTOM • Dual Class-A preamp stages • Phase inverter and push-pull power amp stages • Built-in reactive speaker load • Solid-state and valve-styled rectifier channels • Preamp and bright cap voicing switches • Dry/O.D. blend control • Fully variable mid boost • Powerful re-amp EQ • High-current, low-noise electronics • Ultra-high input impedance • Silent switching • High-quality “signal-conditioning” bypass mode • Premium components throughout • Advanced power supply filtering and protection • PSU Spec. 120mA @ 9V, centre-negative (PSU not included) • Optional footswitch allows remote mid boost engage and dry blend override • Designed and built in England

649,00 €

MAYBACH LESTER WILD CHERRY 59 AGED

MAYBACH LESTER WILD CHERRY 59 AGED

Ref: 3353

Maybach Lester Wild Cherry 59 aged Cuerpo de 2 piezas de caoba Tapa de 2 piezas de arce Mástil de caoba Diapasón de palisandro (Dalbergia Latifolia) Inlays del diapasón trapezoidales en madreperla Clavijas de afinación kluson con botones de 'tulipán' Pastillas humbucker Amber Spirit del 59 2 controles de volumen 2 controles de tono 1 palanca Potenciómetros personalizados CTS TVT Acabado nitro: Cerezo silvestre (Wild Cherry) envejecido Incluye estuche Maybach

1.960,00 €

MAYBACH STRADOVARI S61 OLYMPIC WHITE AGED

MAYBACH STRADOVARI S61 OLYMPIC WHITE AGED

Ref: 3352

MAYBACH STRADOVARI S61 OLYMPIC WHITE AGED Características: Tipo de cuerpo: Stratocaster Cuerpo: Fresno de dos piezas Mástil: Arce Diapasón: Palosanto Pastilla de mástil: Maybach Custom Amber Pastilla central: Maybach Custom Amber Pastilla de puente: Maybach Custom Amber Controles: 2 x Volumen y 2 x tono Acabado: Olympic white tipo relic Estuche: Estuche rígido

1.795,00 €

FURCH VINTAGE 2 00SR

FURCH VINTAGE 2 00SR

Ref: 3351

Furch VINTAGE 2 00SR Cuerpo Tapa sólida Sitka aros y fondo sólidos palosanto de india Binding Marfil artificial Purfling Herringbone roseta Anillo doble abalon verde con línea negra y blanca Puente Ébano Pines de puente Ébano Cejilla TUSQ completamente compensado Espacio en el puente de cuerdas 55 mm Acabado en tapa Full-Pore High-Gloss Finish Acabado de aros y fondo Full-Pore High-Gloss Finish Golpeador Tortuga artificial Mastil Ancho de la cejuela 45 mm Refuerzo de mastil Sistema CNR con ajuste bidireccional Longitud de la escala 650 mm Material del diapasón Ébano Radio del diapasón 400 mm Incrustación frontal del diapasón Incrustación cuadrática de perla blanca Incrustación lateral del diapasón Puntos de posición de perla blanca Acabado de trastes Trastes pulidos Headstock overlay Ébano binding de diapasón y clavijero Marfil artificial Material del mastil Caoba africana clavijeros Pátina de oro Gotoh SE700 - relación de transmisión 1:15 Botones del clavijero Pátina dorada cejuela TUSQ Acabado de mastil Acabado Satinado Smooth-Slide Acabado de la cabeza Acabado Vintage Hand-Brushed Accesorios Viene con Estuche rígido Hiscox

2.350,00 €

FURCH VINTAGE 3 OM-SR

FURCH VINTAGE 3 OM-SR

Ref: 3350

Furch Vintage 3 OM-SR Cuerpo Tapa sólida Sitka aros y fondo sólidos palosanto de india Binding Koa hawaiana con línea blanca de contraste Purfling Herringbone roseta Anillo doble abalon verde con línea negra y blanca Puente Ébano Pines de puente Ébano con ojo de perla cejilla TUSQ completamente compensado Acabado en tapa Full-Pore High-Gloss Finish Acabado de aros y fondo Full-Pore High-Gloss Finish Golpeador Tortuga artificial Mastil Ancho de la cejuela 45 mm Refuerzo de mastil Sistema CNR con ajuste bidireccional Longitud de la escala 650 mm Material del diapasón Ébano Radio del diapasón 400 mm Incrustación frontal del diapasón Incrustación cuadrada de perla blanca Incrustación lateral del diapasón Puntos de posición de perla blanca acabado de trastes Trastes pulidos Headstock overlay palosanto de Madagascar binding de diapasón y clavijero Koa hawaiana con línea de contraste Material del mastil Caoba africana clavijeros Pátina de oro Gotoh SE700 - relación de transmisión 1:15 Botones del clavijero Pátina dorada cejuela TUSQ Acabado de mastil Acabado Satinado Smooth-Slide Acabado de la cabeza Acabado Vintage Hand-Brushed Accesorios Viene con Estuche rígido Hiscox

2.750,00 €

SPECTRAFLEX BALDEE 10FT

SPECTRAFLEX BALDEE 10FT

Ref: 3349

Spectraflex Baldee 10Ft A stripped down version of the Original Spectraflex cable,the Baldee provides quality performance at an excellent value. 1) Tough PVC Outer Jacket. 2) 20 AWG Ultra-Pure Copper Center Conductor. 3) 95% Overall Copper Shield. 4) 100% Coverage Inner Conductive PVC Shield. 5) High-Performance Nickel Plated 1/4" Connectors with Corrosion Resistant Powder Coated Housings. 6) State of the art construction designed for extended frequency response and extremely low handling noise.

29,00 €

Marcas Destacadas