Gran variedad de modelos Stratocaster. ¡Encuentra el tuyo!
OMEC TELEPORT by Orange Amplifiers . TELEPORT es la última interfaz de audio para estudio y directo. La interfaz de OMEC Teleport es un dispositivo de conexión universal (IOS, Android, Mac, PC) sin controladores específicos ni requisitos de software. Cuenta con conversores AD/DA de alta calidad, a través de un conector USB B, montado en un pedal de efectos muy pequeño. El Teleport permite convertir ambas señales de audio analógico (un instrumento por ejemplo) a digital para ser procesadas con las muchas aplicaciones disponibles. Además, Teleport ofrece la posibilidad de convertir señales de audio digital a analógicas (a través de mezcladores, cajas D.I., amplificadores, etc.). Gracias a su versatilidad, Teleport se puede utilizar para múltiples aplicaciones: para reproducir, grabar, mezclar o procesar el sonido, con la autonomía que brindan los dispositivos móviles; en aplicaciones Bluetooth, como teclistas o DJ que usan los mismos dispositivos para sus sesiones; incluso para convertir la música almacenada en dichos dispositivos a analógica con calidad renovada. Teleport ya está disponible en nuestros showrooms de Gijón @alsmusicfactory y Avilés @alsmusicfactoryaviles , con un PVPR de 119€. www.alsmusicfactory.com Principales características: Mono IN y Stereo OUT con buffer paralelo. Latencia: 17.4/fS segundos en AD, 14.3/fS segundos en DA. (1 femtosecond = 10-15 seg.). Interface: USB 2.0 compatible con iOS, Android, Mac y PC. MIDI: Compatible con Jam Origin MIDI Guitar. Incluye AmpliTube CS con virtual OR120, Tiny Terror, Rockerverb 50, AD30 y Orange Cabs. Conversores AD/DA de alta calidad. Buffered Bypass. Superligero (0.149 kg) Alimentación 9v (no alimentado por USB). Compatibilidad: Logic, ProTools, Reason, Ableton, Cubase, Garage Band, Wizdom Music, Jam Origin, IK Multimedia, Two Notes, Eventide, Roli
Construido alrededor de un par de versiones reeditadas de las legendarias MN3005 bucket-brigade delay , el inconfundible carácter analógico de este delay es frontal y central. Tonal Recall es concebido sobre los clásicos sonidos vintage asociados a los delay analógicos de antaño. No renuncia tampoco a las comodidades modernas como tap tempo, bypass opcional con trails, control de expresión sobre cualquier parámetro y la posibilidad de guardar ajustes preestablecidos. Cada botón y el interruptor está conectado a un pequeño cerebro digital mientras que la señal de la guitarra se mantiene en 100% analógico siempre, no se procesa digitalmente. Dado que el control del efecto es digital, se abren efectos y características sin precedentes que nunca se han escuchado o sólo se ofrecen en stompboxes analógicos. Forget everything you know about analog delay, this one’s different. Built around a pair of re-issued versions of the legendary MN3005 bucket-brigade delay chips, the unmistakable analog character of this delay is front and center along with its velvety tape-like modulation. Tonal Recall expands upon the classic vintage sounds associated with analog delays of yesteryear while bringing modern amenities such as tap tempo, optional bypass with trails, expression control over any parameter, and the ability to save presets. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.
CHASE BLISS AUDIO WOMBTONE Analog Phase
MOJO HAND FX MIRROR BALL Moduladed Delay Product Description 550ms of sweet analog-voiced delay fine tuned to sit perfectly in the mix with warm overtones yet still retain clarity. Add in a fully tweakable modulation section at the flick of a switch to accentuate your echoes, whispers and howls with various shades of warble. Mojo Hand FX Mirrorball Delay Features: DELAY – sets delay range from 0 – 550ms REPEAT – dial to taste from single slapback to self oscillation BLEND – adjusts level of echo effect 2 way toggle – (modulation on/off) RATE – dials in modulation speed DEPTH – dials in modulation intensity
MOJO HAND FX DMBL PEDAL The DMBL is our take on what many consider to be the “Holy Grail of overdrive tones”. Rich in harmonic content with a spongy low end and growling mid range. The DMBL’s circuit is fine tuned with all of the elastic and touch responsive characteristics that helped make it’s inspiration legendary. Mojo Hand FX DMBL Overdrive Features: VOLUME – controls signal level GAIN – back down for low gain punch or crank for heat BASS – shape thickness to taste TREBLE – dial in desired amount of cut 2 way toggle – {voicing switch} UP – round and robust with smooth bottom and a flatter EQ DOWN – thick and meaty with a pronounced bite and midrange growl
MOJO HAND FX VILLANOVA VIBE
MOJO HAND FX ZEPHYR FUZZ
MOJO HAND FX SOCRATES DISTORSION
MOJO HAND FX RECOIL DELAY
MOJO HAND ONE TON BEE FUZZ
MOJO HAND FX CROSSTOWN FUZZ
MOJOHAND FX BAYOU TREMOLO
MOJO HAND FX ANALOGUE FILTER 443
Orange OBC112 BLK 1x12" 400 Watts 8 Ohms Bass Cabinet Black Orange OBC112 BLK 1x12" Bass Cabinet Black 8 Ohms 400 WATTS | LAVOCE SPEAKER | 15MM PLY THE OBC112 IS A SMALL CAB WITH A BIG SOUND Orange cabinets have been an industry standard for fifty years, the OBC112 cabinet is Orange’s newest addition to the range. With rear porting and featuring a 400 Watt Lavoce Neodymium 12? bass speaker, the OBC112 produces a surprising amount of bottom end despite its modest size. Built from 15mm Birch ply, the OBC112 is light enough to be truly portable and the classic Orange picture frame design and our iconic livery are your guarantees of solid craftsmanship and build quality.
Orange OBC115 BK 1x15" 400 Watts 8 ohms Black Made in UK ACOUSTICALLY COMPARTMENTED FOR STRENGTH AND LOW VIBRATION This superb bass enclosure is made from 13 ply high density 18mm birch plywood, with tough skids on the base of the cabinet for enhanced stage protection. The skids also act to couple the enclosure to the floor, thereby increasing bass response. Internally, the enclosure is acoustically compartmented for strength and anti-vibration. The OBC115 is side-ported, allowing for speaker self-correction. BUILT FOR A LIFE ON THE ROAD With formidable construction and a tight, unflappable sound, the OBC115 is built to take the rigours of touring in it’s stride EMINENCE 15? SPEAKER Superb tones and a tight response require a first rate speaker. CLASSIC ORANGE STYLING Finished in our legendary livery dating back to 1968, the OBC115 features our basket weave vinyl, acoustic grille cloth, signature ‘picture frame’ edging and 13mm Birch ply. 1 X EMINENCE KAPPA 15 IMPEDANCE (CABINETS) 8 OHM UNBOXED DIMENSIONS (W X H X D) 62 X 52 X 46.5 CM (24.41 X 20.47 X 18.31?) UNBOXED WEIGHT 29.5 KG (65.15 LB)
PRS SE CUSTOM 24 LEFTY LIMITED ROASTED MAPLE 2018 Tobacco Sunburst Curly Maple Top Guitarra electrica de 6 cuerdas para zurdos. Guitarra eléctrica. Left hand. Serie Limitada con diapasón de arce. Cuerpo de caoba. Tapa de arce con lámina de arce flameado. 24 trastes. Escala 25''. Mástil de arce tostado. Diapasón de arce. Incrustaciones: Birds. Mástil: Wide Thin. Puente: Trémolo PRS-Designed. Clavijeros: PRS Designed Tuners. Pastillas: 85/15 ''S''. Controles: Volumen y Push-Pull. Selector 3 posiciones. Incluye funda acolchada.
PRS PRS CUSTOM 24 SANDBLASTER INDIGO LTD LEFTY 2019 Indigo COMO ESPECIALISTAS EN ZURDOS EL MISMO PRECIO QUE LAS DIESTRAS . PRS Guitars Europe Presenta una serie super limitada de 750 unidades SOLO para Europa A España Francia y Portugal SOLO 3 unidades de Cada y nosotros adquirimos 4 . Dos de cada !!! En guitarras, este tipo de acabado se suele ejecutar casi siempre sobre Fresno por tener una veta muy vistosa y agradecida al Sandblasted. Una técnica abrasiva para resaltar el grano que se aplica de diferentes formas; con chorro de arena a alta presión, lijado a mano, o incluso quemando con un soplete la superficie de la madera. En el caso de estas SE Sandblasted Swamp Ash de PRS, que llevan una tapa sólida de Fresno en lugar de la habitual lamina de Arce, después del lijado se han rellenado las ranuras con tinte para impregnar el grano de la madera, dando como resultado este original y llamativo aspecto que hace que no haya dos guitarras iguales.
PRS CUSTOM 24 SANDBLASTED LTD FIRE RED LEFTY PRS SE CUSTOM 24 Sandblasted Swamp Ash LIMITED ZURDA COMO ESPECIALISTAS EN ZURDOS EL MISMO PRECIO QUE LAS DIESTRAS . PRS Guitars Europe Presenta una serie super limitada de 750 unidades SOLO para Europa A España Francia y Portugal SOLO 3 unidades de Cada y nosotros adquirimos 4 . Dos de cada !!! En guitarras, este tipo de acabado se suele ejecutar casi siempre sobre Fresno por tener una veta muy vistosa y agradecida al Sandblasted. Una técnica abrasiva para resaltar el grano que se aplica de diferentes formas; con chorro de arena a alta presión, lijado a mano, o incluso quemando con un soplete la superficie de la madera. En el caso de estas SE Sandblasted Swamp Ash de PRS, que llevan una tapa sólida de Fresno en lugar de la habitual lamina de Arce, después del lijado se han rellenado las ranuras con tinte para impregnar el grano de la madera, dando como resultado este original y llamativo aspecto que hace que no haya dos guitarras iguales.
Orange Bass Terror 500 Watts Head 4.65KG (10.25LBS) THE RETURN OF A MODERN CLASSIC YOU KEPT ASKING FOR IT… The all new, re-designed Terror Bass has arrived and it sounds better than ever. With an all valve front end, the Terror Bass is a 500W hybrid bass amp with a valve preamp and solid state power amp, making it closer to the sound of our flagship AD200 than ever before. The front panel remains the same layout to the original Terror Bass but with an added clean switch, giving more headroom and smoother, clean sounds. From clean pop sounds through to gritty rock tones the Terror Bass can do it all. A pad switch on the front for active basses takes 6dB off the input sensitivity. The effects loop is valve on the send and solid state on the return. The Terror bass is a Class D amp with 500 watts of power into 4 Ohms and 250 Watts into 8 Ohms, the limiter switch on the back prevents the output stage from being pushed too hard into 4 ohms. The Terror bass is perfect for any situation, whether studio, practice or live gig. Closely Based on the AD200 Bass Amplifier The front end of the Terror Bass is the same all-valve preamp design as the flagship Orange bass amp, the AD200. The AD200 is a classic, uncomplicated amplifier, designed to give you the best tone. Class D Power Amplifier The Terror bass is a 500 Watt hybrid amplifier with a valve preamp and a Class D, solid state power section. Analogue valve tone in a portable, compact lunchbox head. Clean Switch Drive and grit not your thing? Get a crystal clean tone at the flick of a switch. Pad for Active Basses The pad switch on the front of the Terror Bass reduces input sensitivity by 6dB, meaning the amp is perfect for active or passive basses. FX Loop The valve-driven FX loop on the Terror Bass is the perfect tool for creating your ideal signal chain. Ground Lif Eliminates any ground loop noise when using the Balanced Output. CONTROLS (RIGHT TO LEFT): NATURAL CHANNEL: VOLUME BASS, MIDDLE, TREBLE, GAIN VALVES PREAMP: 1 X ECC83 (12AX7) OUTPUT POWER: 250 WATTS INTO 8 OHMS, 500 WATTS INTO 4 OHMS. EFFECTS LOOP: 12AT7 VALVE DRIVEN SEND, SOLID STATE RETURN UNBOXED DIMENSIONS (W X H X D) 30.7CM X 19CM X 16CM (12.1 X 7.5 X 6.3) BOXED DIMENSIONS (W X H X D) 36.5CM X 21.5CM X 24.5CM (14.37? X 8.46? X 9.64?) UNBOXED WEIGHT 4.65KG (10.25LBS)
Vox AC30 C2 White Bronco Limited Edition Para aquellos que desean más potencia, el AC30 amplía el cautivador sonido de su hermano pequeño duplicando la potencia en vatios. Empleando cuatro válvulas de potencia EL84 que impulsan a AC30 Custom con 30 Vatios, ofreciendo un sonido notable a través de un par de altavoces de 12” Celestion Greenback o Blue Alnico. Capaz de producir tanto sonidos limpios como los timbres más saturados, el personal sonido de AC30 Custom se adaptará perfectamente a tu estilo de interpretación, dando como resultado un sonido que es realmente tuyo. Tal vez el amplificador más emblemático en el pedigrí de VOX, el AC30 se ganó su lugar en la historia como el amplificador de la ‘Invasión Británica’. Desde entonces, el AC30 se ha mantenido como la elección perfecta de los artistas más influyentes, que han confiado en su sonido único para amplificar sus ideas. ESPECIFICACIONES VOX AC30C2 CUSTOM POTENCIA: 30 W RMS a 16 Ohms ALTAVOCES: 2 x 12" 8 ohm Celestion G12M Greenback ENTRADAS: Normal input jack (high y low), Top Boost input jack (high y low), FX RETURN jack, Footswitch jack SALIDAS: Altavoz externo, altavoz extensión, FX SEND jack DIMENSIONES (W X D X H): 702 x 265 x 556 mm / 27.64 x 10.43 x 21.89 inches PESO: 32.2 kg / 70.99 lbs. OPCIONES: Pedal de cambio VFS2A VOX AC30C2X CUSTOM SPECIFICATIONS POTENCIA: 30 W RMS a 16 Ohms ALTAVOCES: 2 x 12" 8 ohm Celestion Alnico Blue ENTRADAS: Normal input jack (high y low), Top Boost input jack (high y low), FX RETURN jack, Footswitch jack SALIDAS: Altavoz externo, altavoz extensión, FX SEND jack DIMENSIONES (W X D X H): 702 x 265 x 556 mm / 27.64 x 10.43 x 21.89 inches PESO: 33.4 kg / 73.59 lbs.
Orange ROCKERVERB 50 COMBO 2017 LTD SIGNED BY CLIFF COOPER NUMBER 5/25 2017 ORANGE & BLACK Desde que naciera en 1968, gracias a su fundador Cliff Cooper, Orange ha sido una marca que ha destacado por su particular y personal sonido, igual que por su estética naranja que cubre todos sus amplificadores y altavoces. En esencia, los amplificadores Orange han sido siempre sinónimo de crunch y distorsión precisa, con su sonido inconfundible, abanderado del sonido británico, o por lo menos de ciertos sonidos que han inspirado la imaginación de varias generaciones de guitarristas y bajistas. El amplificador que presentamos es un verdadero lujo para aquellos aficionados y coleccionistas de la marca. Una edición limitada del amplificador Rockerverb 50, un combo completamente a válvulas, completamente fabricado en UK que ya ha hecho historia en su versión MKIII. Esta versión viene marcada con dos placas muy especiales, una que lleva las iniciales 2017 Limited Edition y otra con el número de unidad y la firma a mano de Cliff Cooper, fundador y CEO de Orange. La edición limitada la componen solamente 25 unidades, hecho que lo convierte en un amplificador realmente exclusivo y único. El combo incluye también un certificado de autenticidad, firmado y numerado, además de un diseño especial en tólex en los dos principales colores de la firma, naranja y negro, y ha sido fabricado solamente para los mercados español e italiano. Éstas son las principales características del Rockerverb 50 Combo 2017 Limited Edition: Combo a válvulas clase A/B. 2×12? altavoces Celestion G12H Creamback (16 Ohm). 2 Canales: clean / dirty. Potencia: 50w (full power) / 25w (half power). Válvulas previo: 4x ECC83/12AX7 y 2x ECC81/12AT7 Válvulas potencia: 2x EL34. Entre sus opciones destaca el loop de efectos (12AT7/Ecc81), una reverb conmutable (12AT7/Ecc81), así como su potencia de salida también conmutable. En el panel superior encontramos los distintos controles de canal. Clean: volume, bass, treble, y Dirty: gain, bass, mid, treble, el control de reverb, atenuador, selector de canal y de potencia de salida.
ORANGE TINY TERROR 10TH ANNIVERSARY SERIAL NUMBER 097 OF 110 HAND WIRED HEAD & 1X10" CELESTION GOLD ALNICO 2016 marks the tenth anniversary of the amp that rocked the world – the game changing Tiny Terror. Described by Guitarist magazine as one of “”, the Tiny Terror is the original ‘lunchbox’ amplifier. Its clever design, unique sound and deceptive versatility single-handedly kick-started the low wattage amp craze. It’s appeared on countless stages and been a mainstay in top studios since its introduction. A decade on, it still continues to set the standard by which all others must be judged. To commemorate this musical landmark, our UK Custom Shop has been busy, working to produce 110 limited edition compact half-stacks. Codenamed ‘Shiny Terror’, the 10th Anniversary model is a point-to-point hand-wired version of the original, housed in a stunning mirror-effect, polished stainless steel chassis. Using only the finest quality components without a turret board in sight, each amp head also comes complete with its own open-back speaker cabinet – not sold separately. Finished in British racing green and fitted with a brace of 10” Celestion G10 Gold alnico speakers, the pair dovetail seamlessly to produce the ultimate Terror tone. Designer Ade Emsley on the 10th Anniversary Edition… I like to keep things simple. The Tiny Terror is probably the amp I’m most proud of. The idea was to make a small amp that didn’t sound like a small amp – all valve, tight, punchy, springy – that didn’t have that ‘5 Watt single-ended amp sound’, which definitely sounds like a small amp! The Tiny Terror meant you could take a proper amp in a gigbag on the train or the bus to the show, borrow a 4×12? cab from another band on the bill and blow everyone away. I love output valve distortion and, for me, EL84s have the most musical saturation. 15 Watts cranked is the perfect volume to achieve it. The circuit I came up with for the Tiny Terror was designed with that in mind. It’s a unique channel with only three controls – gain, volume and tone – but it gives you everything from clean to pretty ridiculous. The first gang of the gain pot increases the gain of the first stage and the second gang of the pot increases the impedance of the second stage. This results in the signal pushing into the output valves evenly all the way up. It’s a real musician’s amplifier, so when you play softly you get glistening cleans, and when you dig in it crunches up into rich overdrive – all with the touch of your hands. The 10th Anniversary model is a hand wired version of the standard Terror. The more traditional components add a certain character to the sound. Carbon comp. resistors pass a signal in a certain way and, with a proper hard-wired amp, you’re effectively soldering solid core legs of components together, so the top end is even sweeter and more defined. The construction of this 10th Anniversary edition is actually slightly different from my hard-wired prototypes. The first Tiny Terror I made was on a tag board, whereas the 10th Anniversary model is totally true point-to-point on a strip. It’s much more fiddly and involved this way but you end up with something that looks as smart as it sounds. The cabinet… There’s something magical that happens when you smash two 10” alnico speakers with two EL84s and a good output transformer. It just rings with a bell-like quality. It’s the last piece of the puzzle and it’s basically the sound I heard growing up with the likes of AC/DC. That was the sound that got me interested in the first place! In a 2×10” cabinet, the two speakers react together in a certain way, which really complements the Tiny Terror. We’ve never made a 2×10 guitar cabinet before, but it’s my favourite configuration. I’ve worked with Celestion for nearly 15 years, and I had a lot of input into development of the G10 Gold speakers. Before that, there hadn’t really been a proper British 10” speaker since the ‘60s. Horseshoe magnets were about, but they never sounded as good as the classic alnico ring magnet. It’s the most musical sounding magnet with certain properties that no other material has. The Gold was designed from the ground up. We wanted more power handling than the early 10” speakers and every detail was carefully examined. Celestion even had to have the basket re-tooled as the initial one was lacking in articulation in the finished sound. It’s the best 10” alnico speaker in production today. Adrian EmsleyOrange Technical Director
Fender Jazzbass Sunburst Zurdo 2011 American Standard USA Lefty 3 Tone Sunb Procendente de nuesta colección Zurda Privada Tiene algún toquecito pero ridiculos Suena y se toca increible JAZZBASS LEFTY AMERICAN STANDARD USA THREE COLOR SUNBURST 2011 Estuche original includo . Si eres Zurdo esta es tu oportunidad de tener un clásico en tus manos .
Hofner New President Natural Carved top in selected solid German spruce, flamed maple body, ebony fingerboard. Höfner "Diamond" floating pick-up. Finish: Natural (N). Incl. Höfner Deluxe case. Common to all Höfner jazz guitars is the neck-to-body joint at the 16th. fret, which ensures easy access to the upper end of the fretboard. The scale is 25 1/2" (64.3 cm), width at nut is 1 3/4" (44 mm).
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